Pip ever continue to better himself throughout the novel, get downing as a hapless small town male child with compassion, so going a gentleman, but losing his compassion, and so eventually going a gentleman with love and compassion. In the beginning of the book, the writer introduced Pip to us as a hapless orphan who lived with his sister and brother in-law in a little small town. He so meets Miss Havisham and Estella, and aspires to go a gentleman in order to affect Estella, since he falls in love with her. After Miss Havisham forbids him to see her house until he finishes his apprenticeship with Joe, his brother in jurisprudence, he no longer wants to go a blacksmith, but alternatively wants to go a gentleman. He aspires to go a rich gentleman on the footing that Estella would reject him if he remained a common man. However, he does this in a ill-mannered manner to Joe and Biddy, and subsequently corrects himself, doing him a mulct, sophisticated gentleman. Pip sets outlooks on himself to go on to develop and thrive. He besides aspires to delight those around him, every bit good as himself. In the terminal of the novel, he learns to appreciate his true personality and sets no outlooks on himself
Social category plays a critical function in the book, particularly because Pip experiences all of the societal categories. Several characters in the fresh represent each rank, so every societal category has an equal sum of exposure in the novel. Joe embodies the villagers, Mr. Pumblechook represents the in-between category, and eventually Miss Havisham symbolizes the highest societal category. Social category corsets of import because the narrative partially focuses on how Pip perceives each category. In the beginning, he is content with what he has in the small town atmosphere, but after mixing with Miss Havisham, becomes bored with all others below their position, even his ain household, Joe. He acts like this because Estella someway persuades him that societal category and felicity reflect each other. He subsequently realized that he had fooled himself for so long. For illustration, the rich and baronial Estella has a really barbarous and cold hearted personality. In contrast, Joe, a hapless villager, remains one of the kindest people who Pip knows throughout the book. His behaviour alterations after this realisation, but he still seeks Estella ‘s love.
Crime and Artlessness
The battle between offense and artlessness corsets relevant throughout the book. The convicted Magwitch had scared Pip at first, but nearer to the terminal of the book he shows Pip his sort and righteous side. Miss Havisham brought up Estella to ache others, even though Pip considers Estella a rich and comfortable lady. The writer makes her execute immoral actions even though those actions would non acquire her arrested. In the terminal of the book though, she corrects herself, and rejoins with Pip. When the justice convicts Magwitch gives him a decease sentence, he repents his actions and Pip sees true artlessness within Magwitch. As said before, Pip learns that one ‘s societal position does non warrant their actions, and he uses Magwitch as an illustration for this. Pip learns that he must look beyond all this in order to happen out the true artlessness in person. Pip starts to larn this after continuously traveling to the tests of Mr. Jaggers, the condemnable attorney. Due to these tests looking throughout the book, he can analyze this subject. In decision, this subject represents the statement, “ Never justice a book by its screen. ”
Pip is the supporter and storyteller of the novel. Because of this, he explains what happened to him, every bit good as explicating his return on the affair as an older and experienced grownup. Pip has ever had an impulse to better himself, and this can do him to move jejunely at times, such as when he starts to maintain away Joe when he became a gentleman. He sets ambitious ends for himself, and aspires toward flawlessness. These traits push him frontward because of his love for his friends and household, chiefly Estella. Superficial attributes tend to deflect him because of his attitude of a perfectionist, alternatively of looking at their true personality to judge that individual. However, he has the features of a nice individual, and towards the terminal of the book, he learns non to pay attending to superficial traits of a individual when he takes the duty of assisting Magwitch. This act consequences in one of the biggest developments that Pip achieves as a character: acquisition to look beyond superficial values. In the beginning of the narrative, Pip had a modest and low personality, because of his societal position. As the figure of his meetings with Miss Havisham and Estella increased, he began to believe extremely of himself, and the pleasances of life blinded him from seeing the truth. Equally shortly as he learned that Magwitch made him successful, he became baffled, since he antecedently thought all inmates were bad. This event gives him the realisation that one should look into a individual ‘s ideas to judge them. The debut of Bentley Drummle besides contributed to this cause, since his personality contradicted everything that Pip expects from a gentleman. He so eventually matures into a true grownup, and loses all him immatureness. Pip so had adequate adulthood to see Joe and apologise for his action, which shows that he ended his journey of going a nice grownup.
The cryptic Estella serves as Pip ‘s love involvement in the narrative. She is a really dry character, in the sense that she symbolizes of high category blue bloods for Pip, even when he knows about her low category lineage. She endlessly acts barbarous toward Pip, yet this seduces him, and he made her his lone true love. Even though she enjoys life among the higher categories, Miss Havisham exploited her to take retaliation on the barbarous universe, so that Miss Havisham would non hold to. Since Miss Havisham ‘s love involvement abandoned her and broke her bosom, she trained Estella to make the same to person who loved her, which explains why Estella rejects Pip. If Magwitch raised her, she would hold learned the same sort virtuousnesss that Magwitch has, and he would hold encouraged her to get married Pip if she truly loved him. When she married Bentley Drummle, she suffered for a few old ages until she split up with him. Therefore, if Magwitch raised her, she would be happy because one ‘s societal position does non reflect the quality of their life, or their felicity. Estella invariably battles herself to make up one’s mind whether to utilize the understanding that she inherited from Magwitch, or the inhuman treatment that she learned from Miss Havisham. Estella embodies the struggle: nature vs. raising. Estella ever takes the chance to mistreat Pip, because Miss Havisham brought her up with merely that ground in head. However, her scruples leads her to warn Pip to remain off from her, because he might go injury. In chapter 29, she says, “ ‘Oh! I have a bosom to be stabbed in or shooting in, I have no uncertainty, ‘ ” … , ” ‘and, of class, if it ceased to crush I should discontinue to be. But you know what I mean. I have no softness at that place, no-sympathy-sentiment-nonsense ‘ ” ( Dickens 355-356 ) . Miss Havisham manipulated her into thought that she must ever move cruel to others, but she does non recognize that merely Miss Havisham wanted her to make that. She turned Miss Havisham ‘s thoughts into her world, and merely broke out of this unreal world at the terminal of the book when she eventually displays some fondness towards Pip. She wants to get down over, but this clip she wants to make it with a bosom. In the terminal of the book, Estella eventually learns how to do her ain determinations and take her ain life. Estella goes from a captive in her ain house to a free adult female who can do her ain determinations.
Mists on the fens
The Author normally uses the mists on the fens to put a rather unsafe scene. In the beginning, they are present when Pip meets Magwitch for the first clip, when he asks Pip to convey him a file and some vittles. Pip describes the scene of the 3rd chapter, when he goes to present vittles and file to Magwitch, as, “ The mist was heavier yet when I got upon the fens, so that alternatively of my running at everything, everything seemed to run at me ” ( Dickens 34 ) . They warn Pip to ne’er come back to see Joe, when he sees them and says, “ Once more, the mists were lifting as I walked off. If they disclosed to me, as I suspect they did, that I should non come back, and that Biddy was rather right, all I can state is-they were rather right excessively. “ ( Dickens 427 ) Dickens has made the mists rather dry, in the sense that mists normally obstruct vision yet the writer has used them in such a sense that they really reveal to us that danger or heartache followed Pip at that clip.
Satis House and all objects inside of it
Miss Havisham and Estella live in a sign of the zodiac called the Satis house. Pip foremost experienced the lives of upper category people here, and hence he hardwired it into his encephalon as the criterion for all upper category people. Miss Havisham, her nuptials frocks and the banquet are symbols that have become a portion of the house. Dickens made Miss Havisham into a symbol of hatred and regret, given that her fiance rejected her at the communion table. She had stopped all the redstem storksbills and continues to have on the same nuptials frock so that she can believe that she remains immature and that she still hates the universe for traveling on after her calamity so much that she tries in her ain manner to halt the universe from altering, at least in her ain house. Pip notices the immorality in the Satis house when slumber at that place and says, “ It was the first Time I had laid down in Satis House, and sleep refused to come near me ” ( Dickens 462 ) . When Pip sees the brewery next to the house, he understands that difficult work comes foremost, so luxury. He knows that the brewery concern initiated Miss Havisham ‘s success, and non merely because she had a rich household. The writer besides made the Satis house really dry, because it symbolizes decease and hatred, despite lodging rich higher category people. Harmonizing to Pip, all rich People remain happy throughout life because they have everything.
Statues and Shadows
Statues and Shadows are really cold, dark things with no life whatsoever. Since these two objects recur throughout the book they represent the darkness that takes topographic point in this novel. Apart from existent statues, for illustration the “ dramatis personaes ” in Mr. Jaggers ‘ office, many character. Pip considers the dramatis personaes in Mr. Jaggers ‘ room as disgusting, when he says, “ But I sat inquiring and waiting in Mr. Jaggers ‘ room, until I truly could non bear the two dramatis personaes on the shelf above Mr. Jaggers ‘ chair, and got up and went out ” ( Dickens 251 ) . These statues of felons who had a public executing scared Pip. The daze on their faces creates such an overload of emotion that it repels anyone who goes near it. However, when person says that Estella has a statue-like personality, she does non associate to these statues, since she has no emotion whatsoever. Estella has no emotion or feelings for anyone, which leads us to depict her as a statue. She even says to Shoot that she does non hold a bosom. When Pip says, I leaned down, and her unagitated face was like a statue ‘s, ” he means that he feels her coldness and sloppiness ( Dickens 402 ) . Shadows and Estella have some association with each other, because of the coldness and numbness that radiates from her organic structure. Pip even recognizes the shadow like nature of Estella when he says, “ What was the nameless shadow which once more in that one blink of an eye had passed? ” Pip wants us to understand the shadowy characters, and does non keep back the true nature of these characters from the readers. The shadows to the house ever surround Miss Havisham, doing her seem like a shady character. She ever sits in the darkness, which metaphorically means that negative energy has ever surrounded her after her calamity. Pip learns that she could non assist herself, as emphasis and hurting had pressured her head into the manner it had become. When she apologized for all her cruel workss, he learns that she is a good individual, but acts severely because of her angry nature. Therefore, Pip shows us that shadows uncover the true nature of a individual, whether good or bad.